Artist’s statement

My work is in a constant state of flux: a balance between formal structure and experimentation, between repetition and one-offs. I play at the intersection of processes, always with an urge to communicate ideas. Constantly pushing at what a print can be, my work includes installation, animation, writing, film and production. I often collaborate with scientists, musicians and other artists to translate and distil research into simple concepts.

I use a wide range of materials and techniques: cutting, folding, creasing, pushing and pulling. But I usually start a body of work with wood engraving as it requires absolute concentration and allows me to be completely absorbed in the subject. I use this very slow, traditional and analogue medium to investigate the impact of rapidly evolving, contemporary, digital technologies, such as AI-generated art and social media. After that intense period of thinking, researching and making, I take my ideas into different and unexpected directions.

Current exhibitions

Reflect: Uncommon Ground, Black Swan Arts, Frome: 20 September - 18 October 2025

Society of Wood Engravers’ 87th Annual Exhibition, The North Wall, Oxford: 2 - 27 September 2025 and touring

The Wrong Biennale: 7th Edition: 1 November 2025 - 31 March 2026

The World is a Handkerchief, touring